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The work of Martha Atienza and Darcell Apelu in this exhibition operate in a mode of satire and subversion as resistance against hostile forces. In Anito 1 (2011–2015) and Anito 2 (2017), Atienza documents a Christianised animist festival held on Bantayan Island where she lives. In the Ati-Atihan
Down the road from the Messeplatz, Martha’s three-channel video from the TARONG / KAONGKOD (2019) series is on view at Tropical Zone, an African food and beauty store. Set against a vinyl photograph of a tropical beach from the store’s own backdrop, an ironic nod to the commodified
The Naoshima New Museum of Art in Japan will open with its inaugural exhibition, featuring Martha Atienza as one of 12 selected artists. A new initiative by Benesse Art Site Naoshima, the museum is located on top of a hill near the Honmura district of Naoshima.
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